Here you can also manage the 'track start' ID flags to create the right start point for each track. The spacing between tracks can be set using the Region list, but can also be done graphically in the main wave viewer. I like to get this right first, then start with the processing, by which time the most appropriate tweaks for the whole album may have become apparent. It's strange how the separation between tracks and their order can alter the whole mood and impact of an album. What you do next is up to you, but I'd suggest that you order and gap your tracks before applying too much processing. This will automatically arrange the audio for you in the main wave viewer. Having imported the number of tracks you wish to collate for your album, you will need to order them appropriately in the Regions list. You can choose the best dithering algorithm for your material. Having looked at the basic operation of Waveburner last month, I thought it would be useful to follow up with some information on how to take your project from raw audio files to Red Book-standard CD. This month we discuss in-depth features in Waveburner and look at some of the included plug-ins that can be used to polish up a mastering project.
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